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Hey guys, welcome back to the way you came podcast.

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Today we'll be diving into our last session

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from Welfare's Festival, where Jesse and I

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were joined by Cephas and Joshua Luke Smith

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talking about all things creativity.

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Let's get straight into it.

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So what's the point in all this?

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God, his words like paint, spoken out like brush strokes

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on a blank canvas and then he breathed life into us folk.

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Very good, he said, in my heart I know the creator.

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He gave life to the creator and commissioned us to go

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but in my head I don't know what the point is.

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Why should I?

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Do I have to create?

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What if there's no intake from what I make?

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Am I just a repetitive copy and a system of fakes

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is everything intentional or can I run with my mistakes?

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Do I put it out if it's not polished?

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What if it's not great?

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You see, the perfectionist in me could keep finding things

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to change.

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Will I ever make it to the, it's out now stage?

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How do I get my ideas off the page?

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Before we get to the polished piece, the released,

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not hidden, to break the question barriers,

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holding us back, maybe you just have to listen.

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I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I

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I'm sorry

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I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I

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I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I

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But we're going to un-pick a little bit on the Y. Why do we create? Why does Jesus want

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to be so involved in our creation? And so we've got Cephas. Cephas, the first question

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I've got for you, a very simple one. What did creating look like for you growing up

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and how did Jesus begin to come into that later?

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Yeah, I think as a kid I love to draw. So that was probably a lot of the first

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instances of creating anything. Just drawing cars to be specific, actually I love

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drawing cars. Fast cars, slow cars, any cars. Just the idea of putting pencil to

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paper was just so liberating as a kid. It was either maths, maths homework or

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drawing cars. So I also had piano lessons as a kid. So that was forced upon me. I remember

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this instance where my piano teacher would arrive at my home to teach and I would be playing

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cricket outside and I would hide behind one of the other parked cars so that my piano

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teacher didn't see me just because I felt like it was a bit of a chore. But those are

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the first instances of creativity slash creating and figuring out sounds on an old

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Cassio keyboard. It was just a very wholesome little, you know, I can't remember, you know,

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when I suppose like God entered that frame specifically to do with being creative and

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creativity because I grew up in a home where faith was already there before I had arrived.

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So my parents, you know, were Christians so that I was growing up in a home with faith

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already in the walls in the furniture. So the only context I knew was that and I think

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for me it was interesting exploring being creative at home in church and then outside of

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that framework. So it was fun. I love that. And I think, you know, as creatives, our

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environment does a lot and it impacts us in our hearts and what we want to share and

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create for the world or just create from our hearts if that makes sense. And I just

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wonder like what was the earliest thing that you remember like creating fiddling around

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and being like, oh, like so gas that you just created something. And from that point

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that you've been like, okay, I want to do this more. Like what has been original things?

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Something original, that's interesting. Yeah, it's just so ironic. I took photos as a hobby

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because I just loved, you know, I just, anything that involved being outside of a classroom

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I did. So even when I was at university, I was studying music at uni, but I didn't want

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to be in the lecture room. I would have wanted to be outside exploring. I was taking,

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like, I loved street photography and that kind of stuff. So I used to do that and I was

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really proud of it. It only ended up on my really shabby Instagram profile and like

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three likes, but who cared? I didn't. Yeah. So that was, that was fun. I was really proud

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of it. I think with music, it was a bit more, it took a long time to mature and for it

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to actually become something that I was, you know, felt like I was in a place to share.

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I think I was, I was just afraid that it wasn't good enough. So I just held it back for

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as long as possible. I didn't release my first piece of music until I was 29. I was four

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years ago. So yeah, all those years. I mean, it's not like I wish I did something, but

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I think it's just, I was just afraid of the question you asked me like, I'm afraid to be

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proud of something. So I think I just let it just simmer. It almost had to be really perfect

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and then it became perfectly perfect and then it became something I hated and then it was

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just a cycle of that. But I think the first piece of music was, yeah, four years ago, little

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piano violin situation. And I was like, do you know what? I'm really proud of this. So special.

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Yeah. And you said how you don't remember there was a time where God suddenly was involved

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in the creative process. But why do you think after years of doing creativity with Jesus,

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knowing Jesus, you know, you told me you've been judged for most of your life?

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Why do you think creativity is important as a Christian? Yeah, I think making is good for anyone with

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a Christian faith. God made us. It's the way we arrive into existence through someone

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superior, someone incredible that makes us. So the theology or the idea of making is within us.

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So whether that's making songs, making pictures, videos, digital, non-digital classical, whatever

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art for me want to think of, I would even go as further as making structures. If you're a school

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teacher and you make schedules for your kids and if you're in finance and you make, you know,

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spreadsheets, making is just in us all. So everyone has something in them that wishes to make something.

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And seeing creativity as a bit of a, you know, a thing that's in us from the beginning, I think

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is helpful to realise why creativity is important. But also we're here to make our futures. We do it

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with God's help and God has put us on this planet with some gifts. We might realise that soon,

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we might realise that later, but at some point we realise that and we make the thing that God wants

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us to make, whether that's a better neighbourhood, whether that's a better school that you're in,

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or, you know, a better, you want to, you know, make a better town, city, country as a politician,

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whatever, making is a part of who we are. The early stories in Genesis makes that clear to us,

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being made in the image of someone who makes. So go make something.

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Yeah. That's so good. Like, we are created to create. And I think that's just so beautiful from what

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you said. And I think something that you said earlier on was how it took you actually years to

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get to the point of being like, oh, I'm actually finally proud of this. I'm going to post it. I'm

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going to release it into the world. And what do you think, like as creatives, I want to get this

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perfect. And then I can release something. Do you think that's something that actually holds us

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back as creatives? And what we're missing in that, like as Christian creatives, you just need to

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look outside at those trees over there and not two of those trees are the same. So God doesn't

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fixate on a template or sort of a cookie cut perfection tree before the tree is a tree. It's

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just whatever it is. No two trees are the same. So your art, whatever you make, you know, has no

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pressure to be like someone else's art. Like, you don't have to write a song like someone else.

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You don't have to photograph like someone else. You don't have to dance like someone else.

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You do what God's put in you. And I think it's the fear of it being like something that already

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exists, something that is already loved by people. I think it's the fear of it being like that

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is what holds us as back from making. But you just have to walk outside and look at two leaves or

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two trees or two cats and dogs or whatever, or two people, just not the same, but they exist.

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So why not something that we might make? Yeah, you've come to this word a few times fear.

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Yeah. If you don't know, see for us also tours with the wonderful Ellie Linde, who they brush

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at me the other day. And so you spend most of your weekends playing goodbye fear by Ellie Linde.

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It's very true. It's a song you're familiar with, a song about breaking down the fear of what

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other people think of us as I did a little survey in the room. I was like, okay, if you're a musician,

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if you're an actor, within all of that, there's an opportunity to kind of lose confidence and be

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scared and not step into what maybe God's called us to because of fear. Fear can be a mess

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about for our creative process. And see for us how is fear affected your creative and Christian

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expression, but also how have you overcome fear within creative expression?

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I think the timeline of my, I'm not saying like I was late to anything, I don't want that to be

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the message that you take away, but I just waited enough. I think I masked fear as waiting,

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which is fine. I think it's okay, but I was very unsure about how it would be received.

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If I'm honest with you, I was in some spaces that didn't really rate me, and that's okay. I just

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find myself in those spaces. And the reality of people not appreciating you for what you do

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is a thing. And in turn, you don't want to do the thing that you want to do. So I had to wait

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for the right context and the right time. And the pandemic was apparently the right place for

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me to have enough quiet around me. All the voices in my head died. I was like, okay, I'm going to do

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this. So it took time. I think over the years, I just stopped caring, which is really difficult to do,

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but I spend less time on social media, even though social media is an incredible way to connect

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with people in showcase your work and find new people who might love your work. I also need to

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put a framework around that and say, at these times, I will be on here. And then other times,

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I'm going to spend time creating rather than consuming. And I think that helped to move the fear

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out of what I was making. And obviously with God's help, yeah. I'd say that was a process of

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over time gradually eliminating fear, having a bit of structure. Because I think if you're

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loose and if you're structuralists, it just reminds me of the chaos that existed before God actually

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created the earth, just chaotic dark and God brought order to that chaos. And that's oftentimes

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what fear feels like as you're just dragged into spaces that you don't want to be in and you're

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faced with opinions and perceptions of what you create without your own will and without your

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own control. Just reign all that in. Add a bit of structure to your life and you'll be surprised

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how freely you create. That is super practical. And I love how you like shared a bit of your story

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of being in spaces that you felt kind of underappreciated, not really seen what you do. Yeah.

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Like fear can hold us back from a lot of different things, especially like I find that when

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the Lord calls us into spaces, often fear can be the first thing that we feel because we're like,

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oh, but I feel like so insecure, I feel like inadequate to be here. I don't know if I'm actually

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even meant to be in these spaces. And obviously God doesn't give us a spirit of fear, like He gives

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us a spirit of peace and sound mind. I was just wondering like obviously you grew up in a very

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like sounds like relatively creative home that like helped you do what you're now currently doing.

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I wonder like for somebody asking or thinking this like how do I know whether I'm actually

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made to create like obviously there's there's a bit of a maybe not so much nowadays but I remember

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growing up and people would say, oh, if you wanted to do something creative like, oh, you're not

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like that's really hard to like break through or I'll make anything of it. Like how do you

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know if you're like made to create with all of that around you? Are you speaking like a professional

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sense? I guess so yeah. Okay. Yeah. Yeah. That's a whole different sort of conversation because I

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think it's fine to create for the sake of creating and making things in a way to express

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yourself to the people around you and to God and it's that conversation. The moment you bring

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business into it and you're called to do something as a vocation for a living then there are so

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many factors at play which you have to work through which is right place, right time with the right

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people and aligning those three things is something that only God can do. So if God has called you to

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that, I hope you're willing to wait for all those three things to align at some point in your life

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and maybe two things will align you might be at the right time with the right people but it's not

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the right context or the place for you to thrive and do your thing and if you're willing to wait for

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that or it might be the other two it could be you know the right time and the right place but you're

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not at the right setting with you know the correct team around you or you don't have the right

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context of the network so all of that requires building up and working towards and these things

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take time and I'd say until until that that point surround yourself with people who appreciate

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what you do not the people who say everything is great because part of being creative is important

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to be receptive to good feedback and trying and trying again but surround yourself with good people

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who do what you do maybe they're a little bit further having like you know you know could could

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call it a mentor could call it a you know someone who's creative that's that you look up to I

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think that's useful but take the pressure away take the financial pressure away from it and you create

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a lot more freely see if it's thanks for joining us on the panel though one of applause for

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thank you guys

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that I might see you above my cynicism and the sin that sinks beneath my bones muscle and sin you

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but I want to make something that brings you glory I want to make something that reminds me of

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the story of all stories so remind me that I am in you and in everything that I have been through

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you have been there and there has never been a millisecond of a second that your attention has

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been elsewhere you are the God who makes a way who on my darkest most desperate days parts the

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reddest waves holds my face within your gaze and offers me a tender grace you are the God who

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makes the mountain range who made the ever glades you are the God who paints the details on the

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wings of a hummingbird and gave Emerson and Hemingway the pen and page you are the God who

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coves our canyons and pours our oceans you thought the supernova explosion you wrote the code

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to DNA and you spoke the whole cosmos into being made you are the God who exhales to the dead

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erased you are the God who gave David the aim that made a giants grave you are the God who made

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Daniel sleep like a baby in a lion's cave you are the God who changed the nation with a child

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of Josiah's age you are the God who made fire full like rain when Elijah prays you are the God

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of the infinite and the infinitesimal the God of the metaphysical and the invisible the quark the

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quantum the proton and the poet's song you are the God who was and is and is to come whose holy

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throne will never be overthrown who by your death you poured out love and in your final breath

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you gave me life and all of this is true but my thoughts of you have been too small and they have

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been too few for you are the preeminent president presiding over every earthly empire and natural

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element and all of this is true but my thoughts of you have been too small and they have been too

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few so lift my eyes that I might see you but I want to make something that brings you glory

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I want to make something that reminds me of the story of all stories

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Amen

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as you heard Joshua is an amazing poet a father he was on our podcast about six months ago around

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that right yeah something like that time goes fast some goes fast and I was so inspired by his heart

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for Jesus and his heart for for creativity and how he blend the two together it's quite a tricky

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thing navigating like kind of what's been dominated by the secular space for a long time

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as a Christian and and just so to just start us off on like what creativity looks like for you

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how did you know personally Joshua you were called to be a creative beautiful question

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I grew up around my my father's music anybody else related is growing up with music in the house

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listening to your parents music and so my dad loved storytellers love storytellers

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this is a bunch of names that I presume in most people in the room won't know but I'm going to say

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them anyway Tracy Chapman Genesis Tom Petty in the heartbreakers

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Kat Stevens Simon and Garfunkel and I grew up listening to these voices and from a young age

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was very moved by them and would think often of like I want whatever they're doing I want to do

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that and then when I was 13 my big sister bought me the Fuji's album the score and then she bought

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me an M&amp;M album and I found hip hop and I was I was like this is all I want to do I want to write

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bars I want to tell stories I mean that's awesome to hear that like you've been inspired by so many

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people what was the point where you like we're like okay I'm inspired by these people I'm going to

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give it a shot I'm going to try it myself like what was the first thing is there any like is there

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like a specific then you can remember oh my goodness yeah I mean I I remember the first performance I

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did and that was kind of after maybe a year or two of writing it's constantly and I began writing

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without the can I just say one thing I have a strange accent and I always get told when I'm on

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the mic I have a weird accent so in cases anyone is like where is this guy from I was born in South

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London but I was raised in Pakistan and I've moved around when I was 14 I lived in 15

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places so I have a strange accent so I just wanted to say that because some people like where you know

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what is this accent anyway I've been writing a lot for a long time and then I did a school

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talent show and I bombed I got up on stage and I completely forgot my lyrics and interestingly

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that was the moment I was like I'm going to do this you know like I want to I want to I want to go

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again I want to I want to I want to get what I want back yeah yeah and was it always Christian

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were you like yeah I'm going to do this I'm going to become a Christian poet no I've never

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thought like that no I've never I've never thought like that I think I've just I've learned from those

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that that I mentioned of I wanted to I want to be an honest storyteller if I tell you my story it

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won't be long until you know that I'm married because I adore my wife and if I tell you my story

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it won't be long until you know I'm a Christian because I adore Jesus but I'm I'm not setting out

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to tell you it in a way that is like when can I get Jesus in here I'm just trying to be as honest

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as I can and the reality is Jesus is everything to me and so it's kind of come through in the

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music yeah I love how you're you just speak from your heart and like you create from this place

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of honesty of integrity and ultimately wanting to be like I know this is this is me and I'm not

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hiding it and like I was just wondering like obviously you said that you've been writing you wrote

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a lot before you even had your first like bomb of a gig like how do you handle that relationship

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between like oh this is something that I really like but also this is something that I don't like

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and like finding that like oh how do I learn from this how do you balance that relationship

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between the two in the creative process yeah I think I mean what one angle I would approach that

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with is the feeling of being defined by it so coming off stage at 14 I remember the red hoodie

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I was wearing like that moment is seen into my mind and feeling like my entire identity had crumbled

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because I had bombed and I was like I was I was banking on that gig going well so that my reputation

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as an artist at school would be amplified and when it was and I felt like I didn't know who I was

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so that revealed the kind of cracks in the foundation of my identity and a lot of my life

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in writing and in creativity has been trying to ensure I never return there again that I love

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making I love what Seifers were saying of I mean this is our birthright this isn't like a switch

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this is actually this is who you are this could perhaps be what defines you as a human being is that

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you are inherently creative so that has always been you know just an outworking of my life but

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what has been a more of a discipline is not allowing it to be something that is defining of me

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and when it is then my relationship with it becomes very tense and brittle and difficult so

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that's what I feel more aware of yeah in that regard so good and can I just get a share of hands

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who wants to work as a creative in any sort of industry in the future as an actor and musician

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this is awesome lots of hands in the air this is great it's a very very busy industry I know I've

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felt this you might see me on stage doing all this talking stuff but I'm also a bass player

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so I gig quite a lot hey there you go he loves it so I gig a lot of weekends and sometimes it's

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really tricky to know gosh where where do I fit there's thousands of bass players I'm no

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Pino Paladino it's for you you know it's it's hard to know where to land and whether your

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your voice is actually unique or whether it's just adding to the noise I don't know if anyone ever

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relates to that like am I even bringing something unique or am I just adding to the noise and how

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how do you I don't even know if I have a question I'm just like how do you navigate that space

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and I do hear you go into it yeah I mean I'll answer that very kind of subjectively in terms of

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my life I for a long time I wanted to work out how can I get paid for doing this which is a legitimate

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question you know I'm not I'm not discrediting that question I was driven by it for a long time

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of like I love doing what I do here how can I make this work financially and what came was a

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shift in my thinking around I was just kind of lofty language I can break it down but the

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difference between having a creative job and a creative vocation and so I want to talk about a

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vocation I'm saying this isn't this is the work that I'm here to do in the world but it might not

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end up being my job as in the job that pays my rent and my bills but it is what I'm here to do

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a lot of artists throughout centuries the artist entries have been supported by what's called

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patrons so a patron would be someone who pays the artist to do their work because the patron

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believes it's good that this artist is making work and they see value in it so they pay the you know

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artists like Rembrandt you know these incredible artists didn't make a lot of money from their

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art but they someone paid them to do their art and I had this clarifying moment in my kind of mid-20s

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which was oh I am my patron so sometimes I might be working at super dry folding t-shirts

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paying the artist to write poems in the evening and I became really like

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satisfied in that like I'm sitting on the stage now being able to tell you I I'm a full-time

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poet you know which feels an odd thing to say and it's a different conversation of getting into

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the mechanics of that but I would say you know if you have the conviction let's let's do it with a

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bass player you know I met Victor Wooten had a moment and he was like I was born to play bass

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bro like I was born to play the bass guitar like Eric Little who ran the fastest mile said I run

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because I feel god smile when I run you can't stop me lacing up my shoes I'm a runner Victor Wooten

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all the guy that you mentioned Pete I'm a bassist vocationally I'm here to play bass if I'm like

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working at you know McDonald's or I'm working you know as an engineer that might be me paying to have

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the opportunity to play bass and then for for some bro it works out and they're touring the cool

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but that's not rude there actually isn't room for everyone to do that there's like so I'm kind

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of like I'm gonna I'm gonna leave the industry like I'm gonna leave the idea that I have to fight

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for my like singular spa and I'm gonna live with this vocation of this is what I'm here to do

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now I think more often than not when you when you approach it like that the paying opportunities come

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because if I can can I lean in the script real quick because if you live with a vocational creative

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heart you become excellent like if you're Victor Wooten being like Victor Wooten is an unbelievable

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bass player if you're like I'm here to play bass regardless of what I'm getting paid to do you're

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probably gonna be the guy who's still playing bass when his fingers are bleeding when the other

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one's like now I'm not getting paid for this bro I'm not playing this is Exodus 31 right

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Exodus 31 the Lord said to Moses see I have called by name Bezelel the son of Uri son of her

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from the tribe of Judah and I have filled him with the spirit of God with ability and intelligence

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with knowledge and craftsmanship to devise artistic designs and to work in gold silver and bronze

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in cutting stones for setting and in carving wood and to work in every craft because that I have

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filled him with the spirit to be a craftsman and to be excellent at it and I don't think that is

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validated by getting a paycheck I could say I've been filled by the spirit of God to write poems

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for his glory and I've been doing that since I was 14 years old and whether the paycheck came or not

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didn't define whether I was going to do it or not bro that is so good like I think everyone I

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needed to hear that you know my identity and my creativity isn't placed in whether I get paid for

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or not it's actually placed in the God who's called me to like he's like put it in me within me

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to create I'm creating because he's told me to create not because not because somebody saying

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I pay you for that I pay you for that gifting but rather no this is who I am I'm called to I'm

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called to be a poet writer I'm called to like create songs that make people feel something

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make people to feel the love of Jesus or even like create videos that are visually beautiful

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and like make people feel something yeah and you're a little you're a little strange when you

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start living like that exactly I'm like 14 years old and it's like yo do you want to hang out

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tonight I was like bro I'm right I'm writing bars I was making a beat yesterday and all I can think

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about 14 years old is getting home to to write to this beat that's all I want to do I just want

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to write on that beat I don't do anything else you know and some of you relate to that you're like

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no no I'm going home because there's this film that I want to watch I want to I want to work out

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what the cinematographer was doing with the light in that scene when they did this one take and how

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they I have to do that it's like but you don't have to know I have to do that I'm called to this

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it's so good and I think like our faith has a huge place to play into this as creatives

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and where what called to be in the world but not of the world so there's a difference between

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the way that we carry ourselves within a creative space whether you feel you're called to the secular

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or the non like the Christian spaces I just think like how has faith like impacted your creativity

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yeah my goodness I mean it's it's like C.S. Lewis has the phrase where he says I believe in God like

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I believe in the sun not because I see it but by it I see everything so it's like I don't often

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you look at this guy like I can't tell you the sun is there just I see everything because the sun

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shining so I see my life because of God like God my faith is like the light over my life that I

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can oh I know I can see the pain that I have in my heart like I can see the joy I have in my

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heart I can see the friend I've been writing a song recently just for my friend and it's

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totally enlightened by my prayers for her you know like I've been praying for this friend and now

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the song has come out of it and I'm like my life in prayer has both this you know yeah great

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I just heard a quick word I just felt on my heart to I don't know I don't know who it's for

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but I just felt like you don't have to be joyful to create like you don't have to create when

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you're happy you can create when you're feeling different things too yeah yeah I just heard that

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word yeah it's great what a word like sadness and fear and other feelings and joy can rob us

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from what God has got for us which is honesty with him and creative with him so that's great that's

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really good and to give a little bit more insight into and a bit more context into this seminar

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this session why we've done it I remember when I was 14 I was just starting out my my base journey

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and I I was just watching videos after videos and I'd go to Christian festivals like this and I

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let's see all some players doing amazing things and all I wanted to do was go home and practice

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go home and and act and do and like you know I do photography I do the Christian TikTok stuff

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I'm like all I want to do is just create and be and do stuff with God and our goal of this session

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was to stir that little little desire in you like oh great I'm witnessing beautiful things I'm

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hearing beautiful music I'm seeing beautiful trees and and shots and hearing insights from these

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amazing amazing speakers who are in touch with who they are and in touch with God when it comes

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to creativity and so I'm hoping that through this session we even now people's hearts beginning

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to bubble and be like oh I want to buy that new piece of gear I want to go like practice my painting

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I want to go dance and and there's such like freedom to do that God loves it when we when we

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explore creativity as we've learned through all of this conversation God loves it when we bring him

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into our creativity and there's actually an innate thing within all of us which is we want to create

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and we have a desire to create and so freedom we can do that let's go for it and when we had Joshua

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on a podcast a few months ago he talked us through the importance of stillness

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when it comes to listening to the Holy Spirit and as we were praying into the seminar and planning

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we thought what what a best what a great way to send people out is almost have a moment of stillness

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and reflection to think over to chew over a little bit of what we thought but also just to listen

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to surroundings and to end the seminar and if you don't mind just giving a little bit of context

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and then leading this next section now I'll get my little time on my phone yeah beautiful

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yeah in the in the 1950s I think it was there was a pianist called John Cage who's a music composer

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and he once went into what is called an anicoic chamber which is a room that is completely silent

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like completely silent no echo no reverb and he went in to experience this silence but when he

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was in the room you could hear a frequency and when he asked the sound engineer like what was

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that sound they said that was the sound of your blood circulating through your body like you could

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it was so silent you could he could hear his body at work and it gave him this idea so he composed

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a piece called 433 the first time he played the piece he walked down stage he sat at his piano

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he opened the lid he put his hands on the keys and for four minutes and 33 seconds he didn't play a

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note and then after 43 four minutes and 33 seconds he closed the lid and he walked off and this

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point was this when we spent time in silence we hear what's actually going on so whenever that

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piece was played you would hear the sound of the room it was in and if I took that for us in a

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kind of more personal approach to the Lord when we're silent before God we hear the real

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murmurs of our hearts and we hear the sound of our thoughts and we we do what the Psalmist said

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when the Psalmist said in Psalm 139 search me and know me God I want you to know me so as we do

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this we can do it for minutes 33 seconds for some of you this is going to feel like the longest time

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you've ever endured but this could be the most powerful practice for you as an artist but more

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importantly is someone who wants to grow in their relationship with God to experience just being

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with him for a few minutes so we're going to start a timer and I encourage you to close your eyes

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and listen listen to the sound of the football playing listen to the sound of the wind listen to

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the sound of people moving in their chairs just just listen to the sound but also listen to the

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sound of your heart listen to the the voice that you're hearing in your heart maybe the fear

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wraps the joys whatever it is just take take care of it and pay attention to it

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and the time starts that's great context now

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so God we thank you for creativity thank you for your Holy Spirit thank you that we're not just

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noise we are unique and we are chosen as sons and daughters thank you that you give unique and

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personal callings to each one of us and we pray that as we leave this session will be inspired

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not only to create but to bring you into our process to be honest and not just to create when

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we're happy but as Michelle said create when actually there's real sorrow and we'll be just

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pray for an authentic expression come Holy Spirit enable us encourage us in Paris show us your love

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show us your your specific personal love and the name of Jesus amen thank you for joining us

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Joshua pleasure thank you for having me yeah

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and there we have it thanks so much for joining us for all of these sessions from Muafi's festival

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if you guys are listening in on YouTube make sure to subscribe and give us a little comment down

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below which session was your favorite but if you're tuning in on Spotify and Apple Podcast make

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sure to follow us and give us a little rating because over here at the way our vision is to reach

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every young person with the good news of Jesus and then you're doing that you're partnering with us

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to get to that point so bless you guys see you in the next episode
